DAVID BOON
Sydney, London, LA, Worldwide
-
Client: Theatre Royal Sydney
Writer/Director: David Boon
Producers: Elise Dumpleton
1st AD: Audrey Lejeune
DOP: Julius Koivistoninen
1st AC: Adrien Seffrin
Gaffer: Marcel Breed
Cast: John Waters and Daniele Clements
Runner: Imala Smith
Editor: David Boon
Composer and Sound Mix: Declan Harsent
Colourist: Elvis Colour
-
Production - Elastic Group
Client - SMEG
EP - Catherine Terracini
David Boon - Director
Head of Creative - Samantha Holder
Art Director - Miriam Nahler
Copywriter - Garth Fitzpatrick
Colour - Gregory Constantaras
Unreal Engine - Jack Cohalan
Unreal Consultant - Levi Jacobsen
Music - Declan Harsent
-
David Boon - Direction, Stills
Production - Elastic Group
DOP - Benjamin Dowie
Production Designer - Maddison Mullane
Colour - Gregory Constantaras
Editor - Rin
Agency - DNSW
Music - Declan Harsent
Vocals - Emily Nkomo
-
David Boon - Direction, DOP, Stills, Edit, Production
Colour - Gregory Constantaras
Music - Haiku Hands
Agency - Sydney Dance
-
David Boon - Direction, DOP, Stills, Production
Editor - Andrew Holmes
Colour - Gregory Constantaras
Music - Nick Wales
Agency - Sydney Dance
-
David Boon - Direction, DOP, Stills, Production, Edit
Wardrobe - Emma Cotteril
Colour - Gregory Constantaras
-
David Boon - Direction, Producer, Production Design
DOP - Brad Economy
Edit - Andrew Holmes
Colour - Tyler Roth C03
Agency - Gin Lane
-
David Boon - Direction, DOP, Stills
Agency - TBWA
Production - Bolt
Production Design - Stephen Wolf
-
David Boon - Direction, Stills, Production
DOP - Benjamin Dowie
Edit - Chad Davis
Color - Parker Jarvie C03
-
David Boon - Direction, Stills
DOP, Edit, Grade - Benjamin Dowie
Agency - HAVAS
“If there’s a story you want to see, but it hasn’t been written yet, it’s time to write it.”
Prologue by NIDA
In 2022, I was invited to pitch for Prologue by NIDA - a corporate training initiative from Australia’s most prestigious dramatic arts institution. What began as a proposal quickly evolved into a fast-paced production: collaborating with the team to shape scripts, and working alongside producer Jonny Ong to bring it all to life on set.
With limited resources and an unforgiving schedule, we delivered over forty pages of: scripted audio guides, a library of stills, and multiple short films—all in just a matter of days.
Below are a few frames from the project:
