DAVID BOON

WRITER
DIRECTOR
Photographer
 

Sydney, London, LA, Worldwide

Tourism

  • Production - Elastic Group

    Client - SMEG

    EP - Catherine Terracini

    David Boon - Director

    Head of Creative - Samantha Holder

    Art Director - Miriam Nahler

    Copywriter - Garth Fitzpatrick

    Colour - Gregory Constantaras

    Unreal Engine - Jack Cohalan

    Unreal Consultant - Levi Jacobsen

    Music - Declan Harsent

Dance

  • David Boon - Direction, Stills

    Production - Elastic Group

    DOP - Benjamin Dowie

    Production Designer - Maddison Mullane

    Colour - Gregory Constantaras

    Editor - Rin

    Agency - DNSW

    Music - Declan Harsent

    Vocals - Emily Nkomo

  • David Boon - Direction, DOP, Stills, Edit, Production

    Colour - Gregory Constantaras

    Music - Haiku Hands

    Agency - Sydney Dance

  • David Boon - Direction, DOP, Stills, Production

    Editor - Andrew Holmes

    Colour - Gregory Constantaras

    Music - Nick Wales

    Agency - Sydney Dance

Theatre

  • David Boon - Direction, DOP, Stills, Production, Edit

    Wardrobe - Emma Cotteril

    Colour - Gregory Constantaras

  • David Boon - Direction, Producer, Production Design

    DOP - Brad Economy

    Edit - Andrew Holmes

    Colour - Tyler Roth C03

    Agency - Gin Lane

Prime video

  • David Boon - Direction, DOP, Stills

    Agency - TBWA

    Production - Bolt

    Production Design - Stephen Wolf

Fashion

  • David Boon - Direction, Stills, Production

    DOP - Benjamin Dowie

    Edit - Chad Davis

    Color - Parker Jarvie C03

  • David Boon - Direction, Stills

    DOP, Edit, Grade - Benjamin Dowie

    Agency - HAVAS

If there’s a story you want to see, but it hasn’t been written yet, it’s time to write it.
— a Toni Morrison misquote

Prologue by NIDA

In 2022, I was invited to pitch for Prologue by NIDA - a corporate training initiative from Australia’s most prestigious dramatic arts institution. What began as a proposal quickly evolved into a fast-paced production: collaborating with the team to shape scripts, and working alongside producer Jonny Ong to bring it all to life on set.

With limited resources and an unforgiving schedule, we delivered over forty pages of: scripted audio guides, a library of stills, and multiple short films—all in just a matter of days.

Below are a few frames from the project:

Theatre Trailers